ANIMALS 'LED TO THE SLAUGHTER'
BY THE INHUMANE

Sphinx
Gustave Moreau

RASA'S DREAM, INTERPRETATION & DEFINITIONS

I am in a place like a vacation, only I have not had my fun yet. I have been working for about two weeks on this 'vacation' and it will end in a day or two. So I am frustrated, and I am saying to myself,

'I will go to a bar where I will pick up a guy (one of my usual deals...some of my most ecstatic bliss happens when I find a man who needs love and take him with me for love sessions...this represents SOULS IN PURGATORY...this ecstasy is given me by God as PAYBACK for my work) and take him to my hotel where we will have ecstatic sex all night.'

This I intend to do, but it does not happen because of interference.

The problem occurs like this: I see next door to my luxurious hotel, some really horrid looking vehicles. I am looking down from the, say, 2nd floor of my hotel to the left, and I see these black vehicles, that are corroded and falling apart, really ugly. But instead of turning rust they turned black when they corroded, and there are like branches on top of them that are also black, with dried up black leaves.

Somehow, some way someone takes four of these vehicles and parks them right in front of my beautiful luxurious hotel, and I am outraged.

I continue looking and thinking,

'Whoever had it in their property next door wanted to get rid of it. But here, it is blighting my hotel, and they must have been towed here to get rid of the ugliness in their yard, but they put it here instead. These vehicles would prevent anyone from wanting to stay here.

Then after looking a while at the vehicles, I notice that from the tops of them come large heads of ROOSTERS, which are ALIVE but they are like SIGNS on top of these vehicles like where you see a truck that delivers say, 'fried chicken' and they would put a statue of a rooster on top, and these are large like that, but they are ALIVE.

As I look at these roosters, whose heads come out of these vehicles, I see them looking around not knowing what is going on, they just wondering what is going on. Their feathers seem to blend into the blackness, but their combs, beaks and eyes are normal colors.

Then the next scene gets ugly. I see a man to the left where a kind of restaurant is set up. It is as if it is outdoor or I can see through the walls. There are a couple sections. In one part, this thin young man grabs the roosters, and he is taking them by the legs and throwing them against the wall as if to knock them out or kill them. He is doing this with no feeling whatever for the roosters, but mindful of the MEN IN SUITS to the left, sitting behind a counter, waiting to be served. I see deep frying equipment near these men, but they are not yet turned on or filled with oil, just the receptacles. I am filled with dread and agony as I think this young man will put the LIVING ROOSTERS to deep fry while they are STILL ALIVE.

Both the young man and the men in suits are wearing slightly off-white clothing. The young man is rather PERFORMING for the men in suits, because they are unfeeling, uncaring, just like him, and waiting for their pleasure. This is a case of people being oblivious to the feelings and pain of the LIVING ROOSTERS. In fact, the young man seems to gain PLEASURE at his own inhuman treatment of them, which gives him a sense of authority and power, and the men in suits are satisfied, because they only care about their own pleasure.

I begin to run in the direction of this restaurant, having left my hotel, calling as loud as I can,

'Don't kill the rooster! Don't kill the rooster!'

Something however, is delaying my getting there, like my legs are slow and I can only walk, not run. They cannot hear me until I get real close.

When I am already there I find three of the roosters he was torturing, on the floor.

There are two big ones and one small one. The big ones weigh maybe five pounds each, and the little one maybe two pounds. This is a 'surprise delivery' against sadists.

I quickly cradle the two big ones in my arms because I am going to save them from this. But I can only save whom I can carry, and the little one will not fit into my arms, so sadly, I cannot pick him up.

These people only heard my cry when I was upon them, and they were so startled, they could not stop me.

I take the two roosters into my arms, where they are cradled, and transport them away. It was the speed of my action that made me able to do this without being stopped.

Here is the terrible thing: By this torture it is as if every feather, and every downy feather, has been shaved off the bodies of these roosters.

I have two in my arms but I only see one right in front of me. There he sits, his bare body totally naked except the stubs where his feathers were. He is alive and well other than that. His whole body is shaking and shuddering slightly because he does not understand what has happened.

My plan is to take them home and care for them until their feathers grow back.

SCENE II
THE GOLD CALF, GOLD BLANKET

Now I am in my house here, and I notice through the window someone is in back of my house.

I go out the back door just in time to see one of what I think is two females, leaving, hoping I won't see them. They have left something for me surreptitiously and want to make their getaway, but I see one young lady, thin, with straight blonde hair.

In the corner of my kennel is a calf, light gold in color with white, and it tries to stand up. It's back legs, however, have trouble working because they are in a 'hole.' I glance to the right and I see the ladies brought me the calf in a gold blanket - the only way they could carry it.

I examine the calf and I figure out the story: It was born this way, and the girls work at a cow farm. Those that cannot function immediately are slaughtered, and this calf would have been killed. They brought it to me to save it.

I think about it and the hardship and responsibility. But I will try and take care of it. It could probably be rehabilitated, and can pasture in my three acre upper yard. Of course, in winter I will have to shelter it and all that, so there are some problems, but I intend to handle it.

SCENE III
THE CHICKEN / OSTRICH WALKING DOWN THE ROAD TO TOWN

Lastly, I see a very beautiful chicken, that is about twice the size of a normal chicken and resembles, by its wings, an ostrich. By this I mean the feathers are sort of 'feathery' and its wings hang down into sort of beautiful points.

It is walking gingerly down the road where I drive to the nearest town, close to the place where you turn right on a bigger road. It just seems nonchalant as it goes on this walk.

DREAM INTERPRETATION, MEANING & DEFINITIONS

'I am in a place like a vacation, only I have not had my fun yet. I have been working for about two weeks on this 'vacation' and it will end in a day or two. So I am frustrated, and I am saying to myself,'

MEANING: VACATION MEANS A BREAK FROM SUFFERING IN MY DREAMS, A TIME OF SPIRITUAL BLISS. WHAT I CALL 'FUN' IS WHEN A SAINT APPEARS TO ME AND TRANSMITS SPIRITUAL POWER OR WHEN I 'PICK UP' A SOUL IN PURGATORY AND TRANSMIT ENERGY, AND THERE IS ALWAYS BLISS FOR ME AS WELL AS THEM. (OF COURSE, THIS CAN ONLY HAPPEN WHEN MY MYSTICAL SENSES ARE OPEN. SUCH THINGS MAY BE GOING ON AND I WOULD NOT BE AWARE OF THEM UNLESS I AM MYSTICALLY INTUNED. WHAT I AM SAYING IN THIS DREAM, IS THAT MY MYSTICAL SENSES WERE NOT ALLOWED AN OPENING, DUE TO THE WORK I WAS DOING, SO I WAS MISSING MY FUN OR VACATION.)

'I will go to a bar where I will pick up a guy (one of my usual deals...some of my most ecstatic bliss happens when I find a man who needs love and take him with me for love sessions...this represents SOULS IN PURGATORY...this ecstasy is given me by God as PAYBACK for my work) and take him to my hotel where we will have ecstatic sex all night.'

MEANING: A BAR IS WHERE PEOPLE GO FOR ALCOHOL, AND IN MY DREAMS, THIS MEANS WINE, AND THEREFORE, IT IS THE BLOOD OF CHRIST. PEOPLE ARE THIRSTY FOR THE BLOOD OF CHRIST, WHICH INEBRIATES THEM WITH SPIRITUALITY AND BLISS, AND THESE ARE THE SOULS I WOULD SEARCH OUT. TAKING HIM TO MY HOTEL FOR ALL NIGHT ECSTATIC SEX MEANS THAT I WILL BRING HIM INTO MY SPIRITUAL DOMAIN AND TRANSMIT THIS ECSTATIC GRACE, AND BOTH OF US WILL BE INEBRIATED AND BLISSED OUT BY IT.

'This I intend to do, but it does not happen because of interference.'

MEANING: I WAS NOT ABLE TO HAVE THESE ECSTATIC EXPERIENCES BECAUSE MY ATTENTION WAS DRAWN OUTWARD, TO THE MINISTRY IN THE WORLD, AS I WILL EXPLAIN. (YOU CANNOT HAVE IT BOTH WAYS. TO HAVE INTERIOR EXPERIENCES, SUCH AS INTIMACY WITH SAINTS AND PURGATORIAL SOULS, YOUR MIND HAS TO BE WITHIN. IF YOUR MIND IS PULLED OUTSIDE, THIS IS IMPOSSIBLE.)

'The problem occurs like this: I see next door to my luxurious hotel, some really horrid looking vehicles. I am looking down from the 2nd floor of my hotel to the left, and I see these black vehicles, that are corroded and falling apart, really ugly. But instead of turning rust they turned black when they corroded, and there are like branches on top of them that are also black, with dried up black leaves.'

MEANING: THESE VEHICLES HAVE TWO MEANINGS. ON THE SENSE-IMAGE MEANING, THEY REPRESENT FOUR VEHICLES OR WAYS OF ANIMAL TORTURE. THESE ARE:

THE COLOR BLACK, IN THE CONTEXT OF THIS DREAM, SHOWS TOTAL LACK OF REDEMPTIVE VALUE, A TOTAL SPIRITUAL LOSS - NO REEDEMING SPIRITUAL VALUE TO THESE PRACTICES WHATSOEVER. THESE PRACTICES ARE TOTALLY CORRUPT, TOTALLY CORRODED, TOTALLY EVIL, AND THEIR BRANCHES OR AVENUES (VARIOUS WAYS) ARE THE SAME, AND THEIR RESULTS (THE LEAVES) ARE THE SAME. THIS IS PURE EVIL, PURE MALICE, TOTAL CORRUPTION.

IN A MOMENT WE WILL SEE HOW THESE ANIMAL ISSUES WERE PUT 'IN FRONT OF MY CONSCIOUSNESS' (THE HOTEL) AND BY TROUBLING ME DEEPLY, TOOK AWAY THE POSSIBILITY OF BLISS. BUT IT WILL ALSO BE SHOWN THAT I WAS PLAGUED BY A SECOND PROBLEM, THAT OF LADIES WHOM I LOVE, WHO HAVE ALSO BEEN ABUSED AND TROUBLED, AND THEY NEED MY ATTENTION AS WELL.

THE FIRST, THE LITERAL TRANSLATION OF THE DREAM, IS CALLED 'SENSE IMAGE MATERIAL.' IT IS TRUE IN A LITERAL SENSE, BUT IN A METAPHORICAL SENSE, IT SPEAKS FOR ALSO FOR THESE HUMAN SITUATIONS.

'Somehow, some way someone takes four of these vehicles and parks them right in front of my beautiful luxurious hotel, and I am outraged.'

MEANING: I AM OUTRAGED BY THE THINGS HUMANS DO TO ANIMALS (THE UGLY BLACK VEHICLES), AND ALSO BY WHAT THEY DO TO HUMANS - THE HUMANS I WILL SPEAK OF ARE 'MELLOW' AND THOSE WHO HAVE BEEN ABUSED LIKE HER.

'I continue looking and thinking, "Whoever had it on their property next door wanted to get rid of it. But here, it is blighting my hotel, and they must have been towed here to get rid of the ugliness in their yard, but they put it here instead. These vehicles would prevent anyone from wanting to stay here."'

INTERPRETATION: HERE AGAIN I COMPLAIN ABOUT THESE EVIL, UGLY ISSUES, AND HOW THEY HAVE BEEN THRUST UPON ME SO I CANNOT HAVE RESTFUL BLISS. (AT A TIME WHEN I NEEDED THE REST FROM OTHER SPIRITUAL WORK)

'Then after looking a while at the vehicles, I notice that from the tops of them come large heads of ROOSTERS, which are ALIVE but they are like SIGNS on top of these vehicles like where you see a truck that delivers say, 'fried chicken' and they would put a statue of a rooster on top, and these are large like that, but they are ALIVE.

MEANING: IN A MOMENT WE WILL INTERPRET WHAT THESE ROOSTERS MEAN, BESIDES THE FACT THAT CHICKENS ARE THE MOST DRASTICALLY TORTURED ANIMALS IN THE MEAT INDUSTRY. (HAVE HEARD MANY ACTIVISTS SAY THIS.) THESE HEADS OF ROOSTERS AS SIGNS WILL BE A SIGNPOST FOR US, TO EXPLAIN SOMETHING ABOUT NOT ONLY HOW THE ANIMALS ARE ABUSED, BUT WHAT HAPPENS TO HUMANS.

'As I look at these roosters, whose heads come out of these vehicles, I see them looking around not knowing what is going on, they just wondering what is going on. Their feathers seem to blend into the
blackness, but their combs, beaks and eyes are normal colors.'

MEANING: THEIR FEATHERS WOULD BE THE THOUGHTS EMANATING FROM THEM, WHICH WOULD BE DEPRESSING - BLACK THOUGHTS.

THE COLORS IN THEIR EYES, COMBS, BEAKS BEING NORMAL IS TO SHOW THEY ARE ALIVE WITH FEELING, THAT THEY CAN SUFFER PAIN

'Then the next scene gets ugly. I see a man to the left where a kind of restaurant is set up. It is as if it is outdoor or I can see through the walls. There are a couple sections. In one part, this thin young man grabs the roosters, and he is taking them by the legs and throwing them against the wall as if to knock them out or kill them. He is doing this with no feeling whatever for the roosters, but mindful of the MEN IN SUITS to the left, sitting behind a counter, waiting to be served. I see deep frying equipment near these men, but they are not yet turned on or filled with oil, just the receptacles, one of which looks like light blue plastic.

I am filled with dread and agony as I think this young man will put the LIVING ROOSTERS to deep fry while they are STILL ALIVE.

INTERPRETATION: THIS IS TO EMPHASIZE THE COLDNESS AND CRUELTY OF INSENSITIVE AND SADISTIC PEOPLE WHO HANDLE BOTH ANIMALS AND HUMANS THIS WAY, IMPERVIOUS TO THEIR PAIN. THAT THEY ARE ALL MEN HERE IS TELLING. THE IMMATURE YOUNG MAN, WORKING FOR A LOW-WAGE JOB, IS TRYING TO IMPRESS THE 'SUITS', WHICH WOULD BE BUSINESSMEN OR THOSE WHO HAVE MONEY. HE WANTS TO IMPRESS THESE MEN AS TO HOW MACHO HE IS, HOW HE CAN THROW AROUND THE SMALL AND HELPLESS WITH NO FEELING WHATSOEVER, AND HOW HE WILL PLEASURE THESE 'MEN IN SUITS.' THE MEN IN SUITS ONLY CARE ABOUT THEMSELVES, AND ARE AS COLDHEARTED AND UNFEELING AS THE YOUNG MAN. HERE I AM FRIGHTENED THAT THEY WILL BE 'BOILED IN OIL' WHILE YET ALIVE. (THINGS LIKE THAT DO HAPPEN TO ANIMALS, AS LIVING ANIMALS LIKE LOBSTERS AND CRABS ARE PUT INTO BOILING WATER OR OIL, AS IF THEY HAD NO FEELINGS.)

THE BLUE PLASTIC BIN REPRESENTS A COFFIN, LIKE THE COFFINS HUMAN ARE LAID IN ON PASTEL SATIN, AND BLUE IS THE COLOR OF THE SOUL (IN MOST CASES) AND ALSO THE GOD WITHIN.

Both the young man and the men in suits are wearing slightly off-white clothing. The young man is rather PERFORMING for the men in suits, because they are unfeeling, uncaring, just like him, and waiting for their pleasure. This is a case of people being oblivious to the feelings and pain of the LIVING ROOSTERS. In fact, the young man seems to gain PLEASURE at his own inhuman treatment of them, which gives him a sense of authority and power, and the men in suits are satisfied, because they only care about their own pleasure.

MEANING: THE OFF-WHITE CLOTHING IS TO SHOW THAT PEOPLE WHO EXPLOIT ANIMALS IN THE FOOD INDUSTRY AND PEOPLE WHO CONSUME ANIMALS ALL ACT AS IF THEY ARE RIGHTEOUS AND THERE IS NO WRONG-DOING GOING ON. THE ASSUMPTION BEING THAT THE SUFFERING OF ANIMALS DOESN'T MATTER, AS LONG AS PEOPLE ARE GAINING PLEASURE. AND SO, THE APPEARENCE OF GOOD (OFF WHITE) MASKS THE TRUE EVIL (BLACK VEHICLES.)

THE SUITS ARE ALSO A SYMBOL OF PATRIARCHY - A SYSTEM THAT IS THE ORIGIN OF CRUELTY TO ANIMALS.

'I begin to run in the direction of this restaurant, having left my hotel, calling as loud as I can,

'Don't kill the rooster! Don't kill the rooster!'

MEANING: NOW I WILL GIVE THE SECRET OR KEY SYMBOL OF THIS DREAM - WHAT THE ROOSTER ACTUALLY REPRESENTS. HE IS CONFIDENCE, THE VERVE, DRIVE, AMBITION OF LIFE. THE ONE THAT CROWS IS THE ONE WHO HAS A POSITIVE OUTLOOK.

WE WILL SEE THAT THE TORTURE OF THE ROOSTERS IS THE TORTURE OF A YOUNG WOMAN - MELLOW - AND OTHER WOMEN AND MEN IN THEIR CHILDHOOD WHEN THEY ARE SMALL AND DEFENSELESS, WHICH BREAKS THEIR SELF ESTEEM AND THE JOY OF LIVING. THIS IS WHAT I AM TRYING TO PREVENT; A COMPLETE DESTRUCTION OF THESE QUALITIES.

'Something however, is delaying my getting there, like I can only move slowly. They cannot hear me until I get real close.

When I am there I find three of the roosters he was torturing, on the floor.

There are two big ones and one small one. The big ones weigh maybe five pounds each, and the little one maybe two pounds. This is a 'surprise attack' against sadists.

I quickly cradle the two big ones in my arms because I am going to save them from this. But I can only save whom I can carry, and the little one will not fit into my arms, so sadly, I cannot pick him up.

These people only heard my cry when I was upon them, and they were so startled, they could not stop me.

I take the two roosters into my arms, where they are cradled, and transport them away. It was the speed of my action that made me able to do this without being stopped.'

INTERPRETATION: THIS SPEAKS ABOUT GETTING CLOSE TOTHE SITUATION, NOT BEING ABLE TO HELP FROM AFAR, NEEDING TO GET MORE INTIMATE.

I CANNOT SAVE OR HELP EVERYONE, ONLY THOSE THAT 'FIT IN MY ARMS.' PERHAPS GOD WILL SEND ANOTHER TO SAVE THAT ONE 'LITTLE ONE,' WHOEVER IT IS.

THESE ROOSTERS ARE NOT CLEARLY SOULS WHOM I KNOW, AND I BELIEVE THEY ARE MELLOW AND SALLY.

'Here is the terrible thing: By this torture it is as if every large feather, and every downy (small, soft, fluffy) feather, has been shaved off the bodies of these roosters.

I have two in my arms but I only see one right in front of me. There he sits, his bare body totally naked except the stubs where his feathers were. He is alive and well other than that. His whole body
is shaking and shuddering slightly because he does not understand what has happened.'

MEANING: THE FEATHERS THAT ARE LARGE REPRESENT FLIGHT, OR FREEDOM, AS WELL AS PROTECTION. AND SO THIS HAS BEEN TAKEN FROM AN ABUSED CHILD. ITS SENSE OF THESE HAS BEEN STOLEN.

SECOND, THE SMALL FEATHERS WHICH ARE SOFT AND FLUFFY ARE FOR THE COMFORT AND WARMTH OF THE BIRD. AND SO, COMFORT, WARMTH AND SECURITY ARE REMOVED FROM THE CHILD.

TRANSLATE THIS INTO SPIRITUAL TERMS, AND IT IS SPIRITUAL POWER TO FLY, TO BE LIFTED UP, TO BE FREE AND TO LEAVE THIS SITUATION OF PAIN, THAT AN ABUSED CHILD IS DEPRIVED OF.

SPIRITUALLY THE FLUFFY FEATHERS ARE SPIRITUAL, EMOTIONAL WARMTH AND SECURITY. THIS SENSE OF SECURITY, OF SAFETY, HAS ALSO BEEN REMOVED FROM THE CHILD.

SO WHAT IS LEFT, IS A VULNERABLE, FRIGHTENED PERSON, WHO HAS NO SAFETY NET OR WAY OUT OF THIS PAIN, AND IT SHUDDERS AND SHAKES WITH ANXIETY, NOT KNOWING WHAT HAS HAPPENED - AS CHILDREN, EVEN YOUNG ADULTS - DO NOT UNDERSTAND WHY THEY ARE BEING ABUSED. THIS LACK OF UNDERSTANDING MAKES A PERSON UNABLE TO LIFT THEMSELVES OUT OF THE TRAUMA THE ABUSE PUT IN THEIR BRAIN.

TO BE NAKED OR BEREFT OF THESE QUALITIES LEAVES A PERSON IN A STATE OF ANXIETY; WHICH IS SYMBOLIZED BY THE SHAKING AND SHUDDERING.

'My plan is to take them home and care for them until their feathers grow back.'

MEANING: TO TAKE HOME IS TO LEAD TO THEIR CENTER, OR GOD WITHIN, HELP THEM HEAL UP BY FINDING THE GOD WITHIN. OF COURSE, I TAKE THEM TO MY HOME FIRST WHICH MEANS TAKE THEM TO MY CENTER, FROM WHERE I GIVE THE POWER OF THE ANOINTING, TO JUMP START THE PROGRESS.

THE FEATHERS GROWING BACK ARE THE POWERS OF THE HUMAN, WHO CAN THEN FUNCTION WITH NORMAL STRENGTH.

END OF SCENE

SCENE II INTERPRETATION

THE GOLD CALF, GOLD BLANKET

'Now I am in my house here, and I notice through the window someone is in back of my house.

I go out the back door just in time to see one of what I think is two females, leaving, hoping I won't see them. They have left something for me secretly and want to make their getaway, but I see one young lady, thin, with straight blonde hair.'

MEANING: THIS DREAM, LIKE ALL THOSE OF THIS NIGHT, HAS TWO MEANINGS. ONE IS THE SENSE-IMAGE OR LITERAL SENSE MEANING, AND SECOND, IS THE ALLEGORICAL MEANING.

BACK DOOR, SECRETLY, IS SOMEONE WANTED ME TO ATTEND TO THEIR PROBLEMS. THERE ARE TWO PROBLEMS, AND THERE ARE TWO PEOPLE - BOTH FEMALES - WHO DO NOT OPENLY SAY THEY WANT ME TO WORK ON THEIR ISSUES, BUT THIS DREAM SAYS THEY DO.

THE WOMAN WHO IS SLIGHTLY MORE OPEN ABOUT IT IS THE ONE WHO WANTS ME TO ATTEND TO ANIMAL ABUSE. SHE IS 'SISTER C,' THE BLONDE WITH THE STRAIGHT BLONDE HAIR. THE OTHER LADY WHOM I DON'T SEE IS MELLOW, BECAUSE MELLOW HAS NOT ASKED ME TO ADDRESS THIS PROBLEM, BUT THE DREAM SAYS SHE WANTS ME TO.

SO ONE OF THE LADIES WANTS ME TO WORK TO SAVE ANIMALS, THE OTHER LADY WANTS ME TO SAVE HER AND VICTIMS LIKE HER. THE CALF REPRESENTS ONE AND THE OTHER.

'In the corner of my kennel is a calf, (which they have left) light gold in color with white near its chest, and it tries to stand up. It's back legs, however, have trouble working because they are in a 'hole.' I glance to the right and I see the ladies brought me the calf in a gold blanket which is lying there - the only way they could carry it.'

MEANING: BOTH THE GOLD CALF AND GOLD BLANKET TELL ME,

'THIS IS ABOUT LOVE.'

THE WHITE SPOT NEAR THE HEART IS 'THE PURE IN HEART SHALL SEE GOD.' THIS PERSON IS PURE IN HEART.

IT ALSO SAYS THAT THESE WOMEN COME TO ME 'IN LOVE' OR 'ON WINGS OF LOVE,' AS THE BLANKET IS THE VEHICLE OF TRANSPORT, LIKE THE WAY WINGS WOULD TRANSPORT A BIRD.

AND THE SUBJECT - THE CALF, IS ABOUT LOVE. AS FAR AS ANIMALS, THEY SHOULD BE LOVED, NOT EXPLOITED AND JUDGED ONLY BY THEIR UTILITY TO HUMANS, WHICH IN THIS CASE, WOULD BRING THE CRIPPLED CALF TO SLAUGHTER.

IN HUMANS, THIS IS SAYING,

'THIS CHILD HAS BEEN WOUNDED BECAUSE IT WAS NOT LOVED. BECAUSE IT WAS NOT LOVED, IT HAS A 'LOVE PROBLEM.' A PERSON WHO IS SEVERELY ABUSED AND NOT LOVED, HAS TROUBLE GIVING LOVE AS WELL AS RECEIVING LOVE LATER IN LIFE. (THIS WILL BE EXPLAINED MOMENTARILY, BUT FIRST THE SYMBOLS:)

THE BACK LEGS BEING IN A HOLE OR PIT, REPRESENTS THE ABILITY TO 'SPRING UP', IN THIS CASE, THE NATURAL JOY A PERSON HAS WHERE THEY CAN 'BOUNCE,' 'JUMP FOR JOY,' 'HAVE A SPRING TO THEIR STEP.' BY WATCHING ANIMALS I HAVE SEEN HOW THE BACK LEGS MAKE THEM JUMP, SPRING, AND IN THE CASE OF COWS AND HORSES, KICK WITH THEIR BACK LEGS. THIS KICKING IS SOMETIMES JUST THE JOY OF LIVING, AS THEY JUMP FORWARD AND THEN KICK, OR SPRING, AT OTHER TIMES, TO PROTECT AGAINST A PREDATOR.

SO THE BACK LEGS, BEING IN A PIT, REPRESENT THAT A CHILD'S ABILITY TO LOVE AND BE LOVED HAS BEEN CURTAILED, IT HAS BEEN PUT 'IN A PIT' SO THE CHILD CAN HARDLY STAND UP. IN OTHER WORDS, IT'S LOVE, BY NATURE, HAS BEEN CURTAILED OR CRIPPLED.

WHEN A CHILD IS ABUSED SYSTEMATICALLY AND HAS NO LOVE-OUTLET, TWO THINGS HAPPEN. ONE, IT HAS TROUBLE LOVING ITSELF, CALLED LOW SELF ESTEEM. AND SINCE THE VERY PARENTS WHO WOULD BE THE PRIMARY RECIPIENTS OF LOVE HAVE BEEN ABUSERS, THEY DID NOT ENCOURAGE THE DEVELOPMENT OF LOVE, BUT ITS OPPOSITE. SO THE CHILD DID NOT GET TO EXPRESS, FOR YEARS, ITS LOVING RELATIONSHIP, GIVE AND TAKE, WITH THE PARENTS. SO THIS LOVING ABILITY HAS BEEN CURTAILED, ALBEIT IT COULD HAVE BEEN AMELIORATED BY THE PRESENCE OF OTHERS, (GRANDPARENTS, RELIGIOUS FIGURES, AUNTS AND UNCLES ETC........ BUT LET'S NOT FORGET, NO MATTER WHAT, THE PARENTS ARE ALWAYS THE MOST IMPORTANT FIGURES AND HAVING THE GREATEST INFLUENCE FOR GOOD OR EVIL.)

THIS CALF HERE IN MY YARD IS SAYING TO ME THE LOVE POWER OF THIS PERSON HAS BEEN DAMAGED.

'I examine the calf and I figure out the story: It was born this way, and the girls work at a cow farm. Those that cannot function immediately are slaughtered, and this calf would have been. They brought it to me to save it.'

MEANING: 'THOSE THAT CANNOT FUNCTION WOULD BE IMMEDIATELY SLAUGHTERED.'

WHAT A TRUTHFUL STATEMENT IN RELATION TO OUR SOCIETY! THOSE OF US WHO HAVE BEEN SEVERELY WOUNDED ARE SUSEPTIBLE TO ALL THE PREDATORS. PREDATORS, LIKE WILD ANIMALS (WHO MUST KILL TO EAT), SEE THE WOUNDS ON A PERSON, THEY SIZE SOMEONE UP QUICKLY, AND SEE WHERE THEY ARE HURTING. THIS 'POINT OF THE PAIN' IS WHERE THEY ATTACK - WHERE THEY DIG IN FOR THE KILL. AND SO, PEOPLE ARE 'SLAUGHTERED' BY OTHER PEOPLE WHEN THEY HAVE GREAT WOUNDS, INSECURITIES, LACK OF CONFIDENCE AND SELF ASSURANCE. (ALL COMES DOWN TO LOVE FOR ONESELF.)

'I think about it and the hardship and responsibility. But I will try and take care of it. It could probably be rehabilitated, and can pasture in my three acre upper yard. Of course, in winter I will have to shelter it and all that, so there are some problems, but I intend to handle it.'

INTERPRETATION: REVIEWING THE RESPONSIBILITIES OF HELPING SOULS, NO MATTER HOW DIFFICULT, I HAVE THE DESIRE.

END OF SCENE

SCENE III INTERPRETATION

THE CHICKEN / OSTRICH WALKING DOWN THE ROAD TO TOWN

'Lastly, I see a very beautiful chicken, that is about twice the size of a normal chicken and resembles, by its wings, an ostrich. By this I mean the feathers are sort of 'feathery' and its wings hang down into beautiful points. The color of it is a dark magenta (a reddish, slightly purplish color.)

MEANING: THIS IS MY CLIENT, MELLOW. THIS IS A BIG CHANGE IN HER. THE FEATHERS INDICATE ANCIENT WOUNDS, BUT NOW RECOVERED. THE POINTS ARE THAT IN HER SPEAKING, SHE MAKES GOOD POINTS - SHE SPEAKS WELL.

HER SIZE BESPEAKS AN INCREASE IN STRENGTH, SPIRITUAL STATURE. THE OSTRICH SYMBOL MEANS 'NO MORE HIDING IN THE SAND,' NOW FACING REALITY. (OSTRICHES, BY THE WAY, ARE SO STRONG THEY CAN KICK A HOLE IN A PERSON'S STOMACH)

'It is walking gingerly down the road where I drive to the nearest town, close to the place where you turn right on a bigger road. It just seems nonchalant as it goes on this walk.'

MEANING: THIS SHOWS A GREAT INCREASE OF CONFIDENCE (NONCHALANT) AND ENERGY WITHIN MY CLIENT MELLOW.

'GOING TO TOWN' IS 'GOING ALL THE WAY,' 'GOING ALL OUT.' IT IS INTERESTING THAT EVERYONE FELT THE ENERGY OF MELLOW ONE NIGHT, AS SHE RANKED OUT HER ENEMIES WITH NEW APLOMB.

DISCUSSIONS ON

HOME | UPDATES | GALLERIES | FOUNDER | SHOP | INTERACT | JOIN US! FEMALE EMPOWERMENT | PURGATORY | MYSTICAL UNION | YOGA CREATION, HEALTH, NATURE & ANIMALS | DREAMS & VISIONS MATRIARCHY & THE FEMININE DIVINE | BEATIFIC VISION JESUS & MARY CHRISTIANITY © 2004 - 2006 RASA VON WERDER SITE DESIGN: