MEN WILL CHANGE AFTER
RASA'S LIFE STORY IS PUBLISHED

La chasse aux rêveurs
Philippe Lemaire

RASA'S DREAM: PATRIARCHY CHANGES
AFTER AUTOBIOGRAPHY

 

I am out in a kind of wilderness far away from civilization and across from me I see a huge man. Since I do not know who he is or what he is about, he could be dangerous. So to find him out I challenge him.

 

He is standing by a kind of shelf by a sort of outdoor enclosure. We are both working on something. He looks over at me in a benign way. But when I challenge him to what seems like confrontation (like karate or something) he obliges me, and comes and stands across from me, like Chuck Norris and Bruce Lee in 'Enter the Dragon.' Only we are not in karate stance, just standing there without any posture or anything. The man across from me seems benign, and he is huge, like 30 feet tall!

 

As we get into position, I climb up on the top of a building so I am above him, and I am on maybe the fourth or fifth floor of a building, and I know I will be at an advantage in the fight. Because the one leaping down in a fight has the advantage, I surmise. I look at my hands and notice that I am wearing my yellow rubber gloves. And I say to the man, meaning every word,

 

'I can kill you!'

 

Strangely, I see no fight. The building I am standing on turns into a shelf - perhaps a bookshelf in retrospect, and it topples forward and I land softly.

 

The giant man I was going to fight turns out to be my friend, and he helps me push the shelf, which is as big as a building, back up against where it stood (like a cliff or something was behind it) and nail it with huge nails so it won't come down again.

 

So the man wasn't menacing at all. Now the scene changes.

 

I see myself going to another place, in civilization, and this giant man becomes normal sized now. We are at a kind of train station area where there are many amenities, like for instance, this bar. I am sitting at the counter of a bar, and two bartenders attend the people. This is unusual as prior to this there was scant little for anyone, (no restaurants, no bars, no help) and now suddenly men are waiting on people. The two bartenders are waiting on people. I am sitting there, but do not seem to be drinking anything. Now that man who was a giant is here also, and when the phone rings way back in the bar, he helps out by going back there and answering it. This is a kindness to the bartenders, as they were both busy and could not answer the phone. This man who seems so considerate not I notice is wearing a white short-sleeved shirt with black print on it.

 

In another section of this area I see a really sweet, gentle man like I used to see on television doing a kiddy show. He does some kind of show where he uses this white rabbit. He's been busy just now and that white rabbit somehow got away along with its enclosure, and just wanted to get away from the man and be free. And I see it away from the man off to the side, in a transparent plastic container, which is completely open on the side. The rabbit was so happy being free. But the nice man spotted it and really needed it, and took it and kind of put it with all his things as they were going off to work again. I felt sorry for the rabbit because it had so little ability to be free and was treated like a helpless little child and the precious bit of freedom it had was again taken away.

 

Then I see myself going off to a kind of beautiful clear swimming pool, where I will bathe, and it seems that man who was a giant, but now is normal will join me. I imagine this but don't actually see it.

 

The next scene is a whopper. The same man now I imagine shares a train berth with me. And I kind of see us making love and I feel ecstasy as he puts his penis into me. This is unusual as I remember that I am celibate. But somehow, this seems to be an exception and is alright.

 

Because I feel ecstasy I know this is God, as soon as I awaken.

 

END OF DREAM

MEANING

 

I am out in a kind of wilderness...

 

RASA: PLACE OF DANGER. IN THE CONTEXT OF THIS DREAM, I AM ON 'THE EDGE', OR FAR FROM THE COMFORT ZONE, AND WE WILL SEE IN A MOMENT WHY.

 

far away from civilization and across from me I see a huge man. Since I do not know who he is or what he is about, he could be dangerous. So to find him out I challenge him.

 

RASA: THIS IS THE ARCHETYPE OF PATRIARCHY. I DO NOT REALLY KNOW WHAT I WILL FACE IN MY MISSION FOR MATRIARCHY, SO I DON'T KNOW IF THIS 'MAN' IS DANGEROUS OR NOT. BUT I WILL FACE HIM AND YOU WILL SEE MOMENTARILY I AM WILLING TO FIGHT TO THE DEATH.

 

He is standing by a kind of shelf by a sort of outdoor enclosure. We are both working on something. He looks over at me in a benign way. But when I challenge him to what seems like confrontation (like karate or something) he obliges me, and comes and stands across from me, like Chuck Norris and Bruce Lee in 'Enter the Dragon.' Only we are not in karate stance, just standing there without any posture or anything. The man across from me seems benign, and he is huge, like 30 feet tall!

 

As we get into position, I climb up on the top of a building so I am above him, and I am on maybe the fourth or fifth floor of a building, and I know I will be at an advantage in the fight. Because the one leaping down in a fight has the advantage, I surmise.

 

RASA: MY FIRST SALVO OR OPENING 'MOVE' IS THE PUT WOMEN ON A PEDESTAL. THAT IS TO SAY, IN MY WOMAN THOU ART GOD SITE, I GLORIFY THE FEMALE AND PUT HER ON A PEDESTAL. IN THIS WAY, THE ARCHETYPAL WOMAN IS AT AN ADVANTAGE OVER MEN.

 

I look at my hands and notice that I am wearing my yellow rubber gloves. And I say to the man, meaning every word,

 

'I can kill you!'

 

RASA: THE RUBBER GLOVES AND MY WORDS MEAN ONE THING - I WILL FIGHT UNTO DEATH. I HAVE NO RESERVATIONS. RUBBER GLOVES MEANS DEALING WITH LIQUID, AND IN THIS CASE, IT WOULD BE BLOOD.

 

WHY DO I SAY 'I CAN KILL YOU?'

 

THIS IS NOT ME. IT IS GOD WITHIN ME, AND IT IS BECAUSE OF THIS ANOINTING, THIS PRESENCE, THAT I HAVE SO MUCH CONFIDENCE. I HAVE NO DOUBT IN MY MIND WHAT GOD CAN DO, AND THIS STATEMENT IS SAYING THAT GOD CAN STOP MEN. IN THE CONTEXT OF THIS DREAM TO 'KILL' MEANS 'TO END.' AND SO, GOD IS SAYING THROUGH ME,

 

'I CAN STOP PATRIARCHY.'

 

Strangely, I see no fight. The building I am standing on turns into a shelf - perhaps a bookshelf in retrospect, and it topples forward and I land softly.

 

RASA: TO NOW BE STANDING ON THIS GIANT BOOKSHELF AND TOPPLE OFF SOFTLY, IS TO HAVE MY BOOK PUBLISHED. IN OTHER WORDS, I COME OFF THE SHELF, AND IT IS A 'SOFT' LANDING WHICH IS THAT MY FAITH HAS BROUGHT ME HERE. I LIFTED WOMEN UP, AND I GOT MY BOOK PUBLISHED. SO MY LIFE STORY IS BEING READ, 'OFF THE SHELF.'

 

The giant man I was going to fight turns out to be my friend, and he helps me push the shelf, which is as big as a building, back up against where it stood (like a cliff or something was behind it) and nail it with huge nails so it won't come down again.

 

RASA: TO NAIL A THING IS TO GET IT DONE, AS IN 'NAIL DOWN THE DEAL.' SO NOW THE PATRIARCHAL MAN HELPS ME, SERVES ME, IN WHAT I AM DOING. THERE IS NO FIGHT, NO CONFLICT, THERE IS COOPERATION. THIS DREAM IS SAYING THAT MY FAITH IN GOD, MY WILLINGNESS TO CHALLENGE PATRIARCHY UNTO DEATH, AND GLORIFYING THE FEMALE, LEADS TO SUCCESS.

 

So the man wasn't menacing at all. Now the scene changes.

 

I see myself going to another place, in civilization, and this giant man becomes normal sized now.

 

RASA: THE DREAM IS SAYING THAT MEN WILL CHANGE!

 

We are at a kind of train station area where there are many amenities, like for instance, this bar.

 

RASA: THERE WILL BE A TRANSITION, A PLACE OF CHANGE.

 

I am sitting at the counter of a bar, and two bartenders attend the people. This is unusual as prior to this there was scant little for anyone, (no restaurants, no bars, no help) and now suddenly men are waiting on people.

 

RASA: MEN WILL BECOME NICER, (AND THIS IS DUE TO MY LIFE STORY!)

 

The two bartenders are waiting on people. I am sitting there, but do not seem to be drinking anything. Now that man who was a giant is here also, and when the phone rings way back in the bar, he helps out by going back there and answering it. This is a kindness to the bartenders, as they were both busy and could not answer the phone. This man who seems so considerate not I notice is wearing a white short-sleeved shirt with black print on it.

 

RASA: THIS IS WITHOUT A DOUBT, MEN IN PRINT, AS THE SHIRT REPRESENTS PRINT OR 'BLACK AND WHITE.' MEN - JOURNALISTS, REPORTERS, WILL SHOW KINDNESS AND CONSIDERATION. SO WILL OTHER MEN, REPRESENTED BY THE BARTENDERS.

 

In another section of this area I see a really sweet, gentle man like I used to see on television doing a kiddy show. He does some kind of work where he uses this white rabbit. He's been busy just now and that white rabbit somehow got away along with its enclosure, and just wanted to get away from the man and be free. And I see it away from the man off to the side, in a transparent plastic container, which is completely open on the side. The rabbit was so happy being free. But the nice man spotted it and really needed it, and took it and kind of put it with all his things as they were going off to work again. I felt sorry for the rabbit because it had so little ability to be free and was treated like a helpless little child and the precious bit of freedom it had was again taken away.

 

RASA: MEN WILL SEE THAT EVEN THE NICEST MEN TREATED WOMEN LIKE GARBAGE, LIKE THINGS OR POSSESSIONS, TAKING AWAY THEIR LIBERTY AND THEIR RIGHTS. (CLUE, THE ENCLOSURE IS LIKE THE TRANSLUCENT PLASTIC GARBAGES I USE ALL AROUND THE HOUSE) WE ARE NOT TALKING ABOUT WICKED MEN, BUT GENTLEMEN ALSO HAVE USED WOMEN THIS WAY, (LIKE THIS MAN USES THE HELPLESS RABBIT) AND THE MEN WILL SEE HOW INCONSIDERATE THAT WAS.

 

Then I see myself going off to a kind of beautiful clear swimming pool, where I will bathe, and it seems that man who was a giant, but now is normal will join me. I imagine this but don't actually see it.

 

RASA: THIS IS ENJOYING THE GRACE OF GOD TOGETHER, AS WATER IS THE HOLY SPIRIT. I SEE THIS IN THE FUTURE.

 

The next scene is a whopper. The same man now I imagine shares a train berth with me. And I kind of see us making love and I feel ecstasy as he puts his penis into me. This is unusual as I remember that I am celibate. But somehow, this seems to be an exception and is alright.

 

Because I feel ecstasy I know this is God, as soon as I awaken.

 

RASA: THIS LAST SCENE IS THAT GOD WILL GIVE ME GRACE THROUGH MEN. IN OTHER WORDS, GOD'S GRACE WILL FLOW THROUGH THEM. THE HOLY SPIRIT WILL ENTER MEN, AFTER MY LIFE STORY GETS PUBLISHED AND PROMOTED.

 

IT TOOK ME THREE DAYS TO UNDERSTAND THIS DREAM, AND IT IS WONDERFUL.